Workshop – THE ELECTRONIC SUBLIME

 

Workshop

THE ELECTRONIC SUBLIME

In the framework of the PEEK/FWF research project “The Unexpected”

6th of November from 16h to 18h – Mz* Baltazar’s Lab, Vienna

Register to: breda.pamela@gmail.com

This workshop will present a unique opportunity to explore uncharted digital territories. Participants will not only gain a comprehensive understanding of the dynamic world of technology and how it’s impacting everyday life, but will also have the chance to engage with some practical tests in order to explore how their emotional and cognitive skills are affected by the use of smartphone applications, vision enhanced softwares and other AI-generated content.

The workshop will be introduced by a presentation by Pamela Breda, PEEK project leader based at Angewandte University. With her talk, she will provide us with a comprehensive introduction to the current state-of-the-arts interactions between users and technology, sharing insights that challenge conventional wisdom and inspire innovative thinking.

By fostering direct interactions with cutting-edge softwares, the workshop aims to facilitate a deeper understanding of the challenges, opportunities, and complexities that lie ahead in this transformative field.

What you will learn

By attending the workshop, participants will develop a deeper understanding of various technologies, platforms, and digital tools. They will learn how to leverage technology for productivity, communication, or educational purposes, improving their digital literacy and navigating the digital landscape more effectively.

IMPORTANT: Remember to bring with you your own laptop.

Pamela Breda

Presenter Photo

Pamela Breda is an artist and researcher Project leader "The Unexpected: Enquiries on Human-AI Interactions" – PEEK AR 650 Artists Based research program at the University of Applied Arts (Department of Digital Arts) in Vienna supported by FWF .

She was appointed artist in residency at several international art institutions, including KulturKontact Austria (Salzburg, A), Cite Internationale Des Arts (Paris, F), PROGR (Bern, CH) Botin Foundation (Santander, E), Dolomiti Contemporanee (Belluno, IT),
Bevilacqua la Masa Foundation (Venice, IT),
VIR, ViaFarini in Residence (Milan, IT), Internationale Sommerakademie fur Blidende Kunst (Salzburg, A), Artist Resiency TartuAir (Tartu, EE), Villa Ruffieux (Sierre, CH), Hospitalfields (Angus, UK).

She was recipient of several art awards and fellowships, including Kingston University Phd Scholarship (Kingston, UK), SteamPlant Fellowship, Pratt Institute (New York, USA), Moving’Up funding scheme (Turin, IT), JRC, Joint Research Center, European Commission (Ispra, IT), ‘Love Me Tender’, Stonefly Production Prize (Fabbrica del Vapore, Milano, IT), Italian Institute of Culture (Moscow, RU), Photography Award, IED, European Institute of Design (Venice, IT), Coffee Flash Award, Querini Stampalia Fondation (Venice, IT).

Her films have been screened internationally and presented at festivals and art venues such as “ECRA Film Festival” (Rio de Janeiro, Brazil), "Winnipeg Underground Film Festival" (Winnipega, Canada), “Revolutions Per Minute Festival” (Boston, USA), “Digital Film Library”, Clermont- Ferrand Film Festival (Clermont-Ferrand, F), Cite Internatinale Des Arts, (Paris, F),
“Vision Du Reel” Film Festival, Media Library (Nyon, CH),
“Hazel Eye Film Festival” (Tennesse, USA),
“The Bomb Art Factory Film Festival” (London, UK), Sohonya Art Center (Bangalore, I), Francesco Fabbri Foundation for Contemporary Art (Pieve di Soligo, IT),
Bevilacqua La Masa Foundation (Venice,
IT).

Her research to date mainly focuses on cultural visual tropes and traditions, on the contingency of the artistic process and its multiple outcomes, exploring themes such as the appropriation of artworks and the delegation of authorship, the impact of digital imagery on our way of seeing and making images, the evocation of an absent or dematerialised body, the concepts of duration and dormancy, memetics and the generative processes of memory (as personal and collective history).

https://www.pamelabreda.com/

Door Policy: all genders

Registration: No registration required.

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